BROOKLYN, NY- In celebration of his debut solo album Happy Birthday, actor and musician Finn Wolfhard, best known for his role in Stranger Things, has finally embarked on his highly anticipated Objection! Tour. The multi-hyphenate artist brought his unique lo-fi, indie/alt-rock sound and charismatic stage presence to the iconic Music Hall of Williamsburg on Monday night, marking one of the standout stops on this exciting debut run. The tri-level, industrial-style venue has long been a cornerstone of Williamsburg’s vibrant music scene, having helped launch the careers of indie rock legends like LCD Soundsystem and The National. It was a perfectly chosen stage for Wolfhard’s New York City stop, blending his rising star power with the venue’s storied legacy and electric atmosphere.
Finn’s set kicked off with a mellow, stripped-back performance of Everytown There’s a Darling, a slow-burning opener that swelled into an intense crescendo before erupting into the high-energy rush of Eat. Joining Finn on stage were The Slaps!, who are not only touring alongside him as openers but also serving as integral collaborators. Their reappearance during his set felt less like a guest spot and more like the return of close-knit friends, creating the feeling of a genuine collective rather than a solo performance. The chemistry between Finn and the band was palpable, and the camaraderie translated into an effortlessly dynamic show. Throughout the evening, members fluidly rotated between instruments, each transition smooth and confident, showcasing not only their individual skill but also an impressive collective versatility that kept the performance feeling fresh and unpredictable.
I was first introduced to Finn Wolfhard as a musician and songwriter through his appearance on the viral, music-themed game show Trackstar. I remember being immediately struck by the depth of his musical knowledge and how his eclectic taste shone through in his choices. That initial impression has stayed with me, and it was gratifying to see that same breadth of inspiration carry into his live performance. Finn has often cited The Beatles as his all-time favorite band, and their influence is unmistakable in his own work—from melodic decisions and rhythmic shifts to song structure and lyrical sensibility. The setlist rolled on with a few personal favorites, including the punchy Objection!, Choose the Latter, and a nostalgic nod to his earlier days with The Aubreys—a standout performance of No Offerings. For this track, Finn sat at the piano, and the crowd erupted the instant the first notes rang out, thrilled to hear a fan favorite woven into the night’s tapestry.
As the show began to wind down, the energy in the room subtly shifted. What had been a high-octane performance gave way to something more introspective and emotionally grounded, as though Wolfhard wanted to end by showing the audience his truest artistic self. He closed out the main set with a trio of his most lo-fi and stripped-back tracks: Happy Birthday, You, and Wait. These songs, raw and unpolished by design, carried the warmth and intimacy of 1970s and ’80s indie rock recordings. It was in this quieter moment that Finn’s songwriting really came into sharp focus—vulnerable, unconventional, and daring in its simplicity. The atmosphere in the venue matched the tone of the music; the packed room seemed to collectively quiet, with everyone fully present and tuned in to the same emotional wavelength.
Just when it felt like the evening had reached its close, Finn and his band bounded back onto the stage for a surprise two-song encore that completely flipped the mood. They burst into Trailers After Dark and rolled straight into Crown, instantly skyrocketing the energy back to its peak. They really put New York City to the test, pushing the crowd to go all out on a Monday night—and the fans absolutely delivered. New Yorkers showed up, showed out, and rose to the challenge with enthusiasm. Feeding off that intensity, the band dove headfirst into a chaotic, jam-band finale packed with distortion, feedback, and wild improvisation. The crowd matched their frenzy, and in a final, unexpected moment, Finn leapt behind the drum kit to hammer out the closing notes, sending the audience into a roar. It was a bold, unpredictable ending and the perfect way to cap off his NYC stop.
This is only the beginning of Finn Wolfhard’s evolution as a musician, and witnessing his debut solo tour in these early stages felt like being part of something genuinely special. He’s carving out a space entirely his own, blending influences with personal vision, and it’s clear that this journey is just getting started.
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