There’s a particular kind of freedom you only hear in the first single from an artist who knows exactly what he wants to be. Not “first single” as in tentative handshake—more like the first mile of a long highway drive where the engine finally sounds right, the city falls behind you, and you remember why you left in the first place.

That’s the energy behind “Outlaw” the debut release from Los Angeles house/electronic artist Harold P Dsico—a clean, infectious cut built for mornings, motion, and the kind of daydreaming that happens when the sun hits the dashboard just right. It’s a song about being marked by your own myth: the outlaw who can’t stay, can’t settle, and—most painfully—can’t be with the woman he loves because the life he chose won’t allow it.

On paper, “Outlaw” reads like classic pop archetype. In the speakers, it plays like a modern house confession—romance with wheels, a heartache you can dance to.

A house track with a pulse and a plot

“Outlaw” is built on that essential house promise: forward movement. The rhythm doesn’t just keep time—it pulls you. The groove is confident and streamlined, designed to slip into your routine without begging for permission. This is music meant for repeat plays: start the day, start the car, start over.

But what gives the track its extra lift is the story sitting right beneath the shine. The “outlaw” framing isn’t cosplay; it’s emotional geography. It’s the tension between desire and distance—the feeling of wanting to be good for someone while knowing your life won’t let you be close. In the best dance records, longing doesn’t slow the tempo; it sharpens it. “Outlaw” understands that.

And in a time when so much electronic music is optimized for algorithms and drops, there’s something satisfying about a track that’s simply well-made and clear-eyed about its mood. “Outlaw” doesn’t overcomplicate the mission: it wants you to vibe, and it succeeds.

The music is written and produced by Peter Sobat and released via TheDopi.com—and that detail matters, because “Outlaw” feels like a statement of intent. This isn’t a random one-off tossed into the stream. It sounds like the first chapter of a bigger identity: a world where house music can be romantic, cinematic, and approachable without losing its club-ready backbone.

There’s a discipline to the production—tight structure, polished sonics, and a sense of restraint that signals taste. The track never gets messy, never overreaches, never tries to impress you with complexity. It chooses vibe over vanity, which—ironically—is exactly what makes it feel professional.

Last month, Harold P Dsico dropped “Mine” as an exclusive release on YouTube—both the track and a visual described as a “masterpiece.” It’s a smart move in 2026: streaming is where you live; YouTube is where you build mythology. When an artist is still defining the frame, visuals can do what press releases can’t—set the tone, signal the aesthetic, and give people something to share that isn’t just a link in a group chat.

The one-two strategy is clear:

  • “Mine” establishes a visual identity and deepens the character.

  • “Outlaw” widens the door by landing on all major streaming platforms—easy to find, easy to add, easy to replay.

If “Mine” is the short film, “Outlaw” is the radio-ready single that makes you look up and go, wait—who is this?

“Outlaw” is available on all streaming platforms now. “Mine” (track + visual) is available exclusively on YouTube.

Debut eras are about consistency: release cadence, visuals, and a clear sonic lane. If Harold P Dsico keeps leaning into this romantic-outlaw thread—sunlit house music with real emotion under the polish—there’s room here for something bigger than singles: an identity people can recognize within seconds.

For now, “Outlaw” does the job a first single should do: it introduces the character, sets the mood, and makes the listener want the next track before the current one even ends.